Improvisation Starters
Make your own music at the piano
Start with black keys only
- Tick-tock bass LH: on F# (tonic) and C# (dominant) – march rhythm; RH: Starting and ending on F#, play patterns on any black keys
- Bagpipe bass LH: open fifths on F# and C#; RH: pentatonic (all 5 black keys) patterns in 6/8 rhythm
- Scottish harmonic pattern (I – vi – ii – V) LH: single note roots or open fifths; RH: pick out melodies by ear: Amazing Grace, Loch Lomond, and Auld Lang Syne
White keys only
- “Heart and Soul” bass LH or duet partner: variations on chord pattern: I – vi – IV – V; RH or duet partner: variations on “Heart and Soul”
- Chopsticks ABA and variations
- Dorian Doodles LH: open fifths D/A and C/G; RH: improvise patterns on any white keys, centering on D and A
- New Age LH: Scottish harmonic pattern with widely-spaced arpeggiated chords (Root, 5th, 3rd); RH: 6ths and 3rds
Black and white keys
- Twelve-bar Blues LH: minor chords in 12-measure pattern CCCC FFCC GFCC; RH: blues scale patterns on C, F, and G to match LH harmonic pattern
- Twelve-bar Boogie LH: boogie patterns following 12-bar harmonic pattern above; RH: seventh chords based on 12-bar harmonic pattern
- Whole tone scales LH: augmented triads (C/E/G# and Db/F/A); RH: improvise patterns using whole tone scale (E, F#, G#, A#, C, D)
- Chromatic improv LH: diminished sevenths (C/Eb/Gb/Bbb and C#/E/G/Bb); RH: fragments of chromatic scales
- Ostinatos. In one hand, create a simple pattern to be repeated over and over; In the other hand, use your imagination.
Experiment with different dynamics, touches, and registers on the keyboard to make your improvisations exciting. Please comment if confused.
Leave a Reply